I don’t begin my work with a fixed image or outcome in mind. I start by listening. Before ideas settle into form, I let ink move freely; spill, resist, gather, and dissolve. My practice lives in that in-between space where meaning hasn’t fully arrived yet. What appears on the surface is never singular or permanent; it shifts depending on how long one stays with it. A mark might feel like a figure, a memory, a landscape, or something cosmic; and then change its mind. I’m interested in painting as a process rather than a conclusion, where gesture becomes belief and form emerges naturally from stillness.